Community Calendar

Bernstein’s music from West Side Story burns with the intensity and romance of his urban retelling of Romeo and Juliet. Creston’s Fantasy for Trombone showcases the expressive power of the Spokane Symphony’s own John Church. The evening’s finale, Rachmaninoff’s Symphonic Dances, will leave the audience thrilled and breathless.

Join us for a hilarious adventure at the Blue Door Theatre! Expedition is a fast, family-friendly improv comedy show where audience ideas fuel wild games, bold characters, and unexpected twists. Every show is made up on the spot—and no two journeys are ever the same.

The Thanksgiving Address, also called "Greetings and Thanks to the Natural World", is an ancient indigenous statement of gratitude for the gifts of the natural world that sustain us all, as passed down for centuries by the people of the Haudenosaunee Confederation of northeast North America. The Liberty Gallery is pleased to exhibit art inspired by this statement of gratitude, created by nine local artists.

The show opens Dec 28th and continues to Jan 24th ~ stop by the Liberty Gallery on First Friday Jan 2 to Meet the Artists from 5-8:30 pm.

Juaquetta hand spins unique yarn using local wool and alpaca. After washing she dyes and prepares these fibers to spin rustic yarns. She also knits, crochets and weaves garments to keep you warm. This is her 20th January as the guest artist at Pottery Place Plus ~ stop by First Friday Jan 2 from 5-8:30 to meet Juaquetta in person!

The work combines photography, embroidery, and slight collage tendencies to explore the intersections of infrastructure, memory, and identity - particularly the idea of connection in both physical and conceptual terms. Rooted in images of power lines and rural landscapes across the American West, my practice transforms photographic documentation through processes of layering, stitching, and erasure. These gestures act as forms of disruption and repair, reconfiguring the image as a tactile site where fragility and resilience coexist.
This exhibition envisions the power grid and hinterland as both literal and metaphorical systems of connection. These structures sustain communities while reflecting the invisible social and emotional frameworks that bind people to place. Through them, I consider how memory, perception, and belonging are mediated by the systems, both human and nonhuman, that surround us.
Informed by systems theory and object-oriented ontology, my practice examines how nonhuman networks - like power lines and rural spaces - reveal unseen forces of connection and dependency. Each work becomes both an image and an infrastructure: a conduit for exploring how power moves through us, how we maintain and repair what connects us, and how photography can serve as a space for reflection, disruption, and renewal.

A collection of new literary-based mixed media works and collages by local artist Tracy Poindexter-Canton, inspired by various books.

Some pieces draw directly from written sources, while others are created intuitively as visual vignettes that suggest their own narratives. Through layering, fragmentation, and assembly, the work explores how stories can be built, altered, and experienced through image and material.

Library Hours: Mon–Thurs & Sat: 9–6 Fri: 9–4 Sun: 12–4

Artist Reception: Sunday, January 18, 2–4 PM

A collection of new literary-based mixed media works and collages by local artist Tracy Poindexter-Canton, inspired by various books.

Some pieces draw directly from written sources, while others are created intuitively as visual vignettes that suggest their own narratives. Through layering, fragmentation, and assembly, the work explores how stories can be built, altered, and experienced through image and material.

Library Hours: Mon–Thurs & Sat: 9–6 Fri: 9–4 Sun: 12–4

Artist Reception: Sunday, January 18, 2–4 PM

The Thanksgiving Address, also called "Greetings and Thanks to the Natural World", is an ancient indigenous statement of gratitude for the gifts of the natural world that sustain us all, as passed down for centuries by the people of the Haudenosaunee Confederation of northeast North America. The Liberty Gallery is pleased to exhibit art inspired by this statement of gratitude, created by nine local artists.

The show opens Dec 28th and continues to Jan 24th ~ stop by the Liberty Gallery on First Friday Jan 2 to Meet the Artists from 5-8:30 pm.

Juaquetta hand spins unique yarn using local wool and alpaca. After washing she dyes and prepares these fibers to spin rustic yarns. She also knits, crochets and weaves garments to keep you warm. This is her 20th January as the guest artist at Pottery Place Plus ~ stop by First Friday Jan 2 from 5-8:30 to meet Juaquetta in person!

The work combines photography, embroidery, and slight collage tendencies to explore the intersections of infrastructure, memory, and identity - particularly the idea of connection in both physical and conceptual terms. Rooted in images of power lines and rural landscapes across the American West, my practice transforms photographic documentation through processes of layering, stitching, and erasure. These gestures act as forms of disruption and repair, reconfiguring the image as a tactile site where fragility and resilience coexist.
This exhibition envisions the power grid and hinterland as both literal and metaphorical systems of connection. These structures sustain communities while reflecting the invisible social and emotional frameworks that bind people to place. Through them, I consider how memory, perception, and belonging are mediated by the systems, both human and nonhuman, that surround us.
Informed by systems theory and object-oriented ontology, my practice examines how nonhuman networks - like power lines and rural spaces - reveal unseen forces of connection and dependency. Each work becomes both an image and an infrastructure: a conduit for exploring how power moves through us, how we maintain and repair what connects us, and how photography can serve as a space for reflection, disruption, and renewal.